Posts Tagged ‘Feste’s logic’

6
Feb

Act 1, Scene 5: Malvolio, Feste, Olivia

   Posted by: Ina Centaur    in !Twelfth Night, Act 1, Director's Notes

 Below is my Director’s interpretation of one part of Twelfth Night, Act 1 Scene 5. For a marked-up/annotated script, see here.

Malvolio’s opening line in Act 1 is a stark contrast to that of everyone else’s before him. Although Maria has a similar scolding attitude, she relents to humor (eventually), but Malvolio seems stubbornly bitter to a huge degree–he’s almost immediately seen as the story’s villain, though later Acts will turn him into a villain. Thus, I believe Malvolio has to act apparently malevolently bitter, but that’s really just a coverup for a sort of tragic hidden inferiority inherent in him.

Olivia: What think you of this fool Malvolio, does he not mend?

Malvolio: Yes, and shall do, till the pangs of death shake him:
Infirmity that decays the wise, doth ever make the
better fool.

Feste: God send you sir, a speedy Infirmity, for the better
increasing your folly: Sir Toby will be sworn that I
am no Fox, but he will not pass his word for two pence
that you are no Fool.

Malvolio’s humor is immediately seen as politically incorrect from our modern POV, when he makes his joke based on Feste’s age. Even in Shakespeare’s days, this is perhaps seen as a foul kind of joke–but, I imagine Malvolio says this matter of factly. (Indeed, the entire exchange can be seen from Malvolio’s POV as an insult to his Lady Olivia–with Feste just being rude all the way through. Feste’s rudeness seems to foreshadow Viola’s, and in the end, it seems as if Olivia seems to favor the rude ones…)

Feste replies in that Feste-logic that Malvolio could use a bit more humor in him–to become a more foolish fool–so he hopes Malvolio would grow old and senile sooner.

Olivia: How say you to that Malvolio?

Malvolio: I marvel your Ladyship takes delight in such a barren
rascal: I saw him put down the other day, with an
ordinary fool, that has no more brain than a stone.
Look you now, he’s out of his guard already; unless
you laugh and minister occasion to him, he is gag’d. I
protest I take these Wisemen, that crow so at these
set kind of fools, no better than the fools’ Zanies.

Malvolio continues to ridicule Feste’s wit; after all, he’d just been called a fool himself by Feste! After citing that Feste got verbally owned by a fool dumber than a rock, he claims that Feste’s not funny at all unless someone gives him charity of laughter. Notice how viciously Malvolio returns Feste’s “joke”. I believe he’s acting this way not only because Olivia seems to be letting Feste make fun of her (and him), but also out of jealousy. He’s already developed an affinity towards Olivia, and would rather not have her favor someone so un-worthwhile as this fool.

Olivia: Oh you are sick of self-love Malvolio, and taste with
a distemper’d appetite. To be generous, guiltless, and
of free disposition, is to take these things for Birdbolts
that you deem Cannon bullets: there is no
slander in an allow’d fool, though he do nothing but
rayle; nor no railing, is a known discreet man, though
he do nothing but reprove.

Olivia begins by reproaching Malvolio, and explains why she let Feste make fun of her. She understands that Feste’s joking–and yet Malvolio takes his joke seriously.

Feste: Now Mercury endue thee with leasing, for thou speak’st
well of fools.

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6
Feb

Act 1, Scene 5: Feste & Olivia

   Posted by: Ina Centaur    in !Twelfth Night, Act 1, Director's Notes

 Below is my Director’s interpretation of one part of Twelfth Night, Act 1 Scene 5. For a marked-up/annotated script, see here.

Feste opens this segment with an aside, where he openly tells the audience his fears of being not witty enough–and then regains his jovial self when he remembers he can make up deities and adages on-the-go from his behind a la Quinapalus.

Feste: God bless thee Lady.

Olivia: Take the fool away.

Feste: Do you not hear fellows, take away the Lady.

Olivia: Go to, y’are a dry fool: I’ll no more of you: besides
you grow dishonest.

Feste seems to be testing his luck–calling his Lady the fool? It’s interesting, though, that Olivia cites Feste’s truancy second to his dry wit.

Feste: Two faults Madonna, that drink and good counsel will
amend: for give the dry fool drink, then is the fool
not dry: bid the dishonest man mend himself, if he
mend, he is no longer dishonest; if he cannot, let the
Butcher mend him: anything that’s mended, is but
patch’d: virtue that transgresses, is but patcht with
sin, and sin that amends, is but patcht with virtue.
If that this simple Syllogism will serve, so: if it will
not, what remedy? As there is no true Cuckold but
calamity, so beauties a flower; The Lady bade take
away the foole, therefore I say againe, take her away.

Olivia: Sir, I bid them take away you.

At this point, we are really not certain if the fool’s still got his wits–this simple syllogism is amusing, but its aloof logic (similar to Feste’s hanging jokes) also puts to question the state of his mind.

Feste: Misprision is the highest degree. Lady, cucullus non
facit monachum: that’s as much to say, as I were not
motley in my brain: good Madonna, give me leave to
prove you a fool.

And now, it seems Feste is smarter than we think. His past few lines are actually building to a point.

Olivia: Can you do it?

Feste: Dexterously, good Madonna.

Olivia: Make your proof.

Feste: I must catechize you for it Madonna: good my Mouse of
virtue answer me.

Olivia: Well, sir, for want of other idleness, I’ll bide your
proof.

Feste: Good Madonna, why mournst thou?

Olivia: Good fool, for my brother’s death

Feste: I think his soul is in hell, Madonna.

Olivia: I know his soul is in heaven, fool.

Feste: The more fool - Madonna - to mourn for your Brother’s
soul, being in heaven. Take away the Fool, Gentlemen.

Feste begins explaining why the Lady Olivia is actually the fool, but catechizes her — asks for her involvement; Olivia admits she’s nothing better to do, and will thus entertain him. He goes right to the point, asking very directly why she mourns for her brother. His next line is said almost as if he wishes to be fired–but, only if we believe she were absolutely serious about devoting her life to mourning. This, along with Sir Toby’s opening line in Scene 3, helps establish that Olivia may be prone to leave her mourning if given adequate “entertainment.” Feste’s next line, continues the same sort of Feste-logic that believes hanging may be better than a bad marriage, by saying it’s no point in mourning for her brother if he’s in Heaven.

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